Read Ariel by Steven R. Boyett Online


Magic has returned to our world, and nothing will ever be the same. Follow the adventures of a young man and his miraculous traveling companion on a dark and dangerous odyssey through a world where fantasy and reality have collided....

Title : Ariel
Author :
Rating :
ISBN : 9781931305006
Format Type : ebook
Number of Pages : 335 Pages
Status : Available For Download
Last checked : 21 Minutes ago!

Ariel Reviews

  • N.K. Jemisin
    2019-01-16 13:38

    I absolutely loved this book as a teenager. Read it to pieces, then could never find another copy. Fortunately it has been reissued, after far too long! It holds up incredibly well -- there are a few minor Handwavium (tm) moments in the plot that I never noticed before, and I can't help laughing now at all these geeky white guys playing samurai, but everything else is perfect. The characterization, the humor, the dreamy apocalyptic beauty of this Changed world... it's all as wonderful as I remember.To get why this book is so beloved, you need to understand the context. This book came out in the early 80s, at the height of the "Tolkien clone" era, when fat fantasies about white farmboys getting the girl and becoming the Chosen Special King (or whatever) had begun to crowd out the Le Guins and L'Engles and Lees who had dominated fantasy throughout the Seventies. As a child I'd started to believe that "girly" fantasy was bad and therefore if I wanted good fantasy I was going to have to read only stuff written by white men and about white men and showcasing only white male power fantasies and man man man grunt grrr. So even though the edition of Ariel that I picked up had a girly unicorn on the cover, it also had a white guy on it, which was the signal in my head of what good fantasy required.(I was 12 when this book came out. Most 12 year olds have terrible taste. I was that times internalized racism and misogyny. I read more and grew out of it.)But lo and behold, this book had a white male protagonist... who was a virgin. He didn't want to get the girl, or at least not the human one. And yeah, he was uncomfortable with that, but he didn't allow toxic masculinity to overwhelm his sense of wonder at meeting and befriending a truly magical creature. He was kind of a Chosen One, with a Quest to undertake, but most of it was done with self-conscious tongue-in-cheek irony -- like when he gets a Special phallic object Sword and gives it the honored name of... Fred. And this book featured a very girly unicorn... who was more of a real character than many human women in the fat fantasies of the time. Helped that most of the human women in this story were also well-rounded and interesting, apart from their weird tendency to want to sleep with Pete. (Can't all be perfect.) So amid the testosterone-soaked formulaic epics of the time, this book was a breath of fresh air.I'm not fond of the new cover (where's the title character, huh? What, was she too girly or something?), and I'm annoyed that it's only available in mass market paperback, given its thickness -- because I've cracked the spine on this copy already, which means I'm likely to read it to pieces again. But I'm happy to recommend it again, and glad it stood the test of time.

  • paula
    2019-01-30 15:45

    Postapocalypse with unicorn. Ok, I'll bite, especially since I've been hearing about this book from people like Cory Doctorow ever since it was reprinted earlier this year. Apparently little Cory's imagination got rocked by Ariel when he was an adolescent.And I could see that. Written by a nineteen-year-old boy in 1983 or so, Ariel features a classic love triangle: a beautiful, accomplished, perfect untouchable blonde who for some reason hangs around with our weedy twenty-year-old protagonist; and an argumentative little brunette who - for some reason - hangs around with our weedy twenty-year-old protagonist. The blonde is a unicorn, but that sort of just makes her even more of a Dorothy Stratton figure. To put it in early 80's terms.The action is well-scripted, and there's a lot of it. The world-building is not too excessive. Exposition is handled pretty well. The book is certainly readable all the way to the end. If there are echoes of The Stand and other post-ap fictions... well, I'm not sure you can write 400 pages of postapocalypse without hitting some of the same scenes. I just read Maurice Gee's Salt, as original a story as you'll find, and there were TONS of familiar elements in that book.But the boyish wish fulfillment of the main character's relationship with his two women is utterly impossible to take. He treats the brunette abysmally from the moment he meets her, and yet, at the end of the book, there she is taking off her pants for him. The young man's virginity is a factor in his relationship with the unicorn, and day after his deflowerment, she rejects him and goes cantering off. But this is ok, because she has somehow lost her sparkle. The formerly spotless, noiseless, gorgeous beast is now dirty and lame as she crashes clumsily through the forest.In an Afterword, the author says that he gets a lot of criticism for letting his main character end up with the human girl. I'm going to criticize him for letting his human girl end up with that main character. Gentlemen, I recognize that it can be something of a journey for you, finding out that under her white gown and lip gloss, Princess Leia was a cokey little drunk with body image issues. But that doesn't mean that the rest of us are lining up, just waiting for your standards to dip.

  • Pam Baddeley
    2019-02-04 11:34

    A re-read of a book read years ago and loved then despite the sad ending (no spoiler, but given the premise of a unicorn as a main character and the traditional requirement for their companions to be virgins, it won't be a big suprise). And to begin with, I did love it anew.However this time around, some of the setting became questionable: for example, when the power goes off on the day of The Change and most modern technology stops working, not only is this rather selective - guns don't work, or bicycles, but we later discover wristwatches do - but people start to behave very extremely, (view spoiler)[as neighbours attack the house and murder the protagonist's girlfriend after leaving Pete for dead. Perhaps this scene would have worked later in the story when some people's survival instincts caused a descent into barbarism, but it seems rather too rapid a development. (hide spoiler)]The 'gold' in the story for me happens two years later, when Pete meets a unicorn. She can communicate in baby talk, and he is able to teach her English, but she doesn't tell him how she hurt her foreleg until much later. As a virgin, Pete becomes Ariel's close companion: they are each others' Familiar, in the terminology of the post-apocalypse world where other creatures such as dragons, rocs, manticores and griffins have appeared and are sometimes bonded with humans, as are normal animals such as hawks. Since Ariel learns English from Pete she becomes a wisecracking character who swears and is generally not how you'd expect a unicorn to be, and that is one of the strongest elements in the story.Pete and Ariel continue their aimless wandering until (view spoiler)[ they decide to travel to New York to confront a wizard who sent a henchman after them because he wants Ariel's horn to use its magic power. It transpires that it was in an earlier encounter with this henchman and his griffin that Ariel's leg was broken: a memory that returns as they near New York. A man they've met, a somewhat stereotypical expert with a samurai sword who has been teaching Pete how to fight with a sword he gave him, goes ahead of them, since the henchman killed a good friend of his. (hide spoiler)]On the way to New York, they meet a small boy sent on a quest to kill a dragon by his foolish father, and that part of the story is fine; the boy is charming and the working out of the physics of how dragons can both fly and breathe fire is well done. There are similarities in this section, probably deliberate, with Don Quixote by Cervantes, which Pete is reading to Ariel while they travel. However, they also meet an odd young woman called Shaugnessey who becomes a kind of fem fatale. She latches onto them, ostensibly because she is fascinated by Ariel, but soon develops a rather pathetic mooning crush on Pete.Apart from the rashness of the journey - how can they defeat the forces against them - the story derails severely when the inevitable happens. (view spoiler)[ Pete only escapes with great difficulty and is debating a suicidal attack on the Empire State Building where Ariel is held captive when he runs into some men who happen to be reconnoitering on behalf of a well-organised group of survivors in Washington. Their community has been preyed upon by the wizard's forces, and they want to strike back, so Pete joins forces with them (hide spoiler)]. This occurs about halfway through and the story then drags despite some well-written action sequences, because the relationship which sustained it - Ariel and Pete - is parked. We don't see her again until almost the end when she is definitely not herself. There is a focus throughout, and especially in the last half, on Pete's struggle against his sexual awakening (only to be expected considering he is about twenty). He has some embarrassing interludes, and it is clear when they were still together that Ariel was troubled by Shaughnessey's presence. And when they are apart, Pete behaves horribly towards Shaughnessey, coming across as self absorbed and unattractive. (view spoiler)[We're told Shaughnessey loves Ariel despite her feelings for Pete so it's hard to believe at the finale, after they have searched for days for Ariel, that Shaughnessey initiates the encounter which the story has so obviously been leading towards . Pete is strung out, crying etc - he cries a lot after losing Ariel - so for Shaughnessey to take such advantage of his vulnerability shows her in a very unattractive light. Especially since, earlier on, another woman who nearly does the same out of ignorance, not only backs off but sends a written apology when she discovers it will destroy his relationship with Ariel! Shaughnessey is clearly meant to be seen as a selfish b***h, yet this does not tally with having a real love for Ariel as she must know her actions will cause the unicorn heartbreak.(hide spoiler)]I believe the book has been reissued with an afterword that explains some of the inconsistencies, including the disappearance of most of the human population and the absence of disease, but I haven't seen it. Suffice to say they stand out on this re-reading. Despite the graphic violence and sex, the book is probably more suited to the higher end of the YA age spectrum than for adult readers, which is a shame. The slump after the loss of Ariel - lectures on hang-gliding etc and guided tours of historic buildings in Washington feature - is indicative of the story's structural problems. I had good memories of it, and when I heard there was a sequel was interested to read that too, but am now not sure I would enjoy it. Hence only a 3-star rating.

  • Shadowdenizen
    2019-01-27 15:37

    Originally published in the early 1980's, this is an overlooked gem of a novel that deserves a wider audience. I first read this as a young child, and it stuck with me through the years, despite my misplacing my copy and not being able to find a new one until years later.I've re-read this a handful of times in the long years since, and (like a select few other books) it never fails to bring back that same sense of wonder any time I read it. Objectively, it holds up (for the most part) pretty well to this day, despite the fact that it is firmly rooted in the 80's. There is however, one glaring plot-point (no spoilers) that some modern readers may object to, but the author addresses that in his introduction in the more modern editions.As an aside, the author wrote one other book, (Elegy Beach), a loose follow-up to this novel ; despite my love for this book, I just could NOT get into that sequel, as it is (IMO)structurally, tonally and thematically the antithesis of this book.

  • Adam
    2019-02-07 10:20

    Don't read too much in the number of stars I gave this novel. The fact of the matter is, having finished this almost a week ago, I'm still not quite sure what to think of it. In fact, I'll go one step further. I could easily justify any number of stars for this book: (*mild spoilers abound, particularly in the poorer reviews*) 5 stars: A brutal, but sympathetic, look at innocence, growing up, friendship, and sex that has the good fortune to sit on top of a rollicking post-apocalyptic action-adventure novel. 4 stars: A fun, pull-out-all-the-stops swords and sorcery novel! The author is trying too hard in places to be deep (but the afterward indicates he's aware of this), and while he succeeds only rarely, one can forgive this because it features a group of samurai hang gliding from the world tradecenter in order to mount an assault on the necromancer-controlled empire state building. 3 stars: A reasonably entertaining adventure novel, with some serious momentum problems. Both times I tried to read it I got seriously bogged down in the middle, due to the disappearance or death of a few beloved characters and a lack of momentum towards the finale. I'm ultimately glad I finished it because there is much to like about the finale and ending, but the journey (particularly the second half) could have been more engaging. 2 stars: Um, unicorns aren't really my thing. I did like a lot of the characters, particularly Malachi Lee. (Although, his story arc, while well foreshadowed did not do the character justice.) Beyond that? Some good action, and the setting of the post-change east-coast is treated well, but there was a severe lack of development for some key characters (Shaunessy and the Necromancer for two...) 1 stars: What the #$%^ Stephen Boyett? I don't care *how* thoroughly you foreshadowed it, the ending is an unsatisfying mess. (and I *DON'T* mean, it should have had a happy ending, it just should have had a DIFFERENT ending.) AND Malachi Lee is one of the most poorly treated characters in the last 50 years of fiction. So, there you have it. My attitudes about this book are complicated and poorly suited to a value-based review. Did I enjoy it? Not it worth reading? Maybe. Am I glad I persevered and finished it? I suppose so yes.

  • Indrani
    2019-02-16 08:45

    When the apocalypse comes, it will be not with a bang, but a whisper. And it will change everything...Boyett concerns himself with the world after, and in this story, a boy and his unicorn. It is an adolescent coming-of-age story, and would read well to the 14 - 18 crowd, as its author admits. What can I say? The ending is as inevitable here as it was in Peter Pan, and in some ways was poorly-handled. While some might suggest that the sex was graphic, having worked with teenaged boys, I can say that the fantasies of the protagonist are realistic, and they do have a place in the story. The story itself is told through a boy's eyes (he might be 20 or so in the book, but Pete's emotional age is somewhat stunted, perhaps by spending 5 years wandering around mostly by himself), and the treatment of women isn't great (we are either temptress - deliberate or unknowing - or pure. There is no in-between. I'll save my "Madonna/Whore" lecture for another time though).The world itself is an interesting concept, though there were some niggling inconsistencies in what works and what doesn't. I'm curious to see what Boyett has done for a follow-up (something he once swore he'd never write).Not a bad read for on the beach, train or plane. Especially good if you fit into that "adolescent male" bracket, I suspect. Girls might enjoy it... but I don't know that they'd find many characters to identify with who weren't male.

  • Tracey
    2019-02-11 13:33

    It took me a while, but I finally finished Ariel, by Steven R. Boyett.As the story begins, six years ago the world underwent a Change.  At least, no one's said anything about the world outside the US, but since no one seems to have come along and tried to colonize the country from a stronger base the presumption is that it was a global thing.  At 4:30 one afternoon, everything mechanical stopped working, from battery-operated watches to cars to telephones to guns.  And for various reasons lots of people have died. The story is told in the first person by Pete Garey, 20 (21?) years old and on his own since the Change occurred.  Over a year ago Pete found a very young unicorn with a broken leg - and the book almost lost me right there when in a flashback the pretty little thing looked up at him and said, in a little girl voice, "Bwoke". Repeatedly. (I mean, what possible reason would there be for a unicorn, communicating telepathically afaik, to mispronounce something, no matter how young?) What with one thing and another, Pete was - and is as of the time of the book - able to touch the unicorn, being still a virgin, and he helped her to heal.  He named her Ariel, and they have become partners over the last couple of years, traveling and surviving together.  They are, in fact, Familiars, which is pretty much what the common Fantasy usage is (as opposed to Buddies, which happens when a human bonds with an animal to gain control over it).  They wander the southeast without much of a goal beyond survival, until the day they discover that there is an evil sorcerer in New York City who wants her horn.  Not her, necessarily – her horn.I don't know.  It's a neat idea (which is why it's been used repeatedly): suddenly the laws of nature change, and nothing mechanical works but magic does, but ... shouldn't that mean the wheel wouldn't work?  I mean, guns don't fire.  Wind-up wristwatches work, but guns won't fire.  Guns have been around for hundreds of years, and aren't all that mechanical; my understanding is that it's more of a physics thing than anything else, especially with old weapons; there's no reason a revolver shouldn't work even if technology has been obliterated.  The explanation given is that Boyett hated guns, and didn't want them in his book, and so discarded logic in favor of the explanation "It's magic.  Just because.  Shut up."  Also, Boyett was 19 when he originally wrote the book, which actually explains a great deal.  Something I find fascinating is that the edition I have certainly doesn't show Ariel on the cover - it comes across as a gritty urban post-apocalyptic fantasy: crumbling edifices, fire, random hub caps, and a sword.  It was, I think, a good idea not to put the glowy white unicorn on the cover.  That way lies Children's Book, which this certainly isn't.  It is, however something of a coming-of-age story, along with the post-apocalypse semi-urban fantasy tale, and a Quest too.  It's actually strangely off-putting to have a unicorn in this setting - I'm too conditioned to expect certain things when a unicorn is involved, and none of those things are present.  Ariel curses like a sailor - or rather like Pete, from whom she learned to talk ... but she loves peppermint candies. I ... just don't know.  Pete's all right; he's self-absorbed, except when he's absorbed in Ariel - but if spoilers are not alarming see below for more on his self-absorption.  Ariel is all right; she can be kind of bitch, which is actually funny in a unicorn.  And she knows things she has no business knowing, but has no idea about other things; she doesn't know what a lighthouse is when she sees it, but she can always tell you what time it is, in the same sort of answer a person with a watch would: "It's five till ten."  She doesn't know what Chesapeake Bay is, but she's able to identify a saddle on something else's back and can give accurate and detailed information on dragon physiology and how to kill one.  A factor in my lack of fondness for Ariel is, I think, that Pete spends so much time telling me how wonderful she is, but I don't really see it in her actions and words.  He tells me I should like her, but I'm given no reason to decide to like her.  And the punning is as much fun as a hair shirt.  In his afterword (so charmingly called "Taking a dump in Lothlórien" - which, by the way, he accents incorrectly), Boyett talks about how the book evenly divides people into two camps: those who loved the book and whose lives it changed, and those who flung the book against a wall and wrote him hate mail.  There is, he claims, no one who falls in the middle area.  I hate to break it to him, but yes, there is.  *raises hand*  I did not love the book.  I don't think it would have changed my life even if I'd read it in my formative years.  But I didn't fling it, and the urge to write a nasty email died quickly.  I hated the ending, but by then I didn't care all that much; I'm not sorry I read it, but I simply won't ever reread this one.****SPOILERS FOLLOW (not plot, but details of setting)****I might have missed something, but I'm trying to work out what happened to the populace.  Because Pete and Ariel can walk for days, on or off roads, and never meet anyone, and when they do it's nearly always just a handful of people.  There were over 238 million people in the US in 1985.  There were over eleven million people in Florida, where Pete and Ariel start out the book, where Pete grew up.  Yes, lots of people have to have died in the cataclysm.  Obviously, if you were in a plane when the Change happened you were ... in trouble (my first instinct being to say "screwed").  Hospitals obviously would be in peril; with generators useless as well as everything else, life support would be almost immediately ended.  There were apparently a huge number of suicides, which is understandable, and looting and murder and general lawlessness is rampant, which is (unfortunately) human.  Oh, and if you were driving along a highway and were caught going 55 in the middle of nowhere, that would be a problem.  Would there have been crashes on highways if every vehicle there was just ... stopped, and if so would they have been bad enough for fatalities?  Would forward motion keep people moving for a few minutes?  Why wouldn't brakes work - isn't that a simple matter of depression of the brake pedal applying the brake shoe to the wheel and slowing it, power brakes being only to make the process easier?  (What about elevator brakes?)  And what about everyone else?  (It's magic. Just because. Shut up.) I suppose people stuck far away from home - as I said, stuck with a useless car in the middle of nowhere, or at work in the middle of nowhere - could lead to starvation, death from exposure (though probably not in Florida), or various other sorts of accidents.  Cities have emptied, except for the dangerous and nasty.  The first thing Pete runs into the day of the Change is intruders in his house - was one of those supposed to be his brother?  If so, why?  Did the Change affect some people's minds?  The neighbor who was a policeman seems to have gone mad - oh, and the cannibal Pete has to kill right at the beginning of the book.  The loss of plumbing (did they?  Lose plumbing?) and sanitation doesn't seem to have cost lives; the moment the Change hit the air and water cleared of all pollution, with an improbable immediacy - although Boyett never says if it's a self-cleaning system, as in whether it would matter if a clutch of survivors used a river as their latrine.  Rampant disease is never mentioned.  So ...?Oh, right - there was apparently an immediate influx of magical beasts, many of which will happily eat human.  So that might account for a decent number of people, especially in the first few unprepared days - but ... Where the heck did they come from?  Did they all spring into being at the same time, the moment of the Change?  Or did they always exist, and were released or emerged from hiding all at once ...?  This is one of the problems with a very young writer and an equally young narrator; neither knows everything, so there are many annoying unanswered questions.More: why hasn't Pete ever tried to find his family?  He said that his mother worked a few hours away by car; why not leave some kind of message at the house - just in case (view spoiler)[his brother wasn't the one who killed the girl, and hasn't been killed himself (hide spoiler)] - and set off toward where she would have been, even if it was a few hours' walk, or a day's, or more?  It's stated she works in Miami, but not where the family lives, so it's all speculation (though they apparently live very much in the boonies, as it's several hours' walk from the high school home.   I could walk to our high school in under an hour.  Say she worked two hours away, which is an idiotic commute, but just say; that would be say 100 miles.  Cut it down to "as the crow flies" - or as the boy walks - and call it 60 miles, though it could be a lot less.  So it might take him about a day and a half; he wasn't in shape yet, so two days.  Big whoop.  He wandered all up the whole East Coast, for heaven's sake - a few dozen miles to find his own mother shouldn't be too much to contemplate.  He might never have found her - but he's spent the last five years wandering aimlessly anyway.  I would have thought if he gave half a damn about his mother he would make some effort to go and see if he could trace her.  I'd imagine she would look for her children.  And what about all of his other friends, and extended family if any?  His brother?  And what about the family of the girl he saw killed?  They can just wonder for the rest of eternity?  ****SPOILERS FOLLOW (this time I mean it)****(view spoiler)[One effect of Pete's self-centeredness, I suppose, is that he seems to be genuinely confused about why Ariel grows bitchier when a girl insists on joining their traveling party.  "Look, I'm sorry if I'm coming on too strong,[" she says. "]But you try reading fantasy books all your life - have a Bradbury dream walk by your bus bench on a hot day, with everything you've ever wanted tied up in a neat bundle - and see if you wouldn't do almost anything to have it."  (Did Bradbury write about unicorns?)  Many times it is said, and several times demonstrated, that someone who is not a virgin cannot touch Ariel.  She can be seen, and is happy enough to travel with, those "not pure" (except for the girl, Shaughnessy - she never liked her), but non-virgins simply cannot touch her.  They have traveled alone together for going on two years, and when a girl joins them - because she is irresistibly drawn to the unicorn, though not a virgin - Ariel puts two and two together: 20-year-old male, 20-something girl, alone.  Compatibility in anything beyond gender becomes irrelevant; one boy (any) + one girl (any) = headache for unicorn.  A few things are said about a unicorn's ability to see the possibilities ahead, the possible branches a path can take.  It doesn't take that ability to be able to see the possibilities of a young man (especially one who has been having erotic dreams) remaining in close proximity to a nubile and willing (human) female.  (And really, I didn't need that deep an insight into the erotic awakening of Pete Garey.  Thanks, though.)(Again, author was 19 when this first arrived. Explains so much.)The book was originally published in 1983, when the world was a very different place, and Boyett added a prefacing author's note for the reprint.  In it, he vaguely explains that there is something that no longer exists which did in the '83, and since the book takes place in an undetermined future what isn't there now shouldn't be there then.  But he made the decision to retain as part of the story what was once and is no longer there, part of the reasoning for which was that if it was removed it would be obvious.  And I promise you that's almost the way he says it in the prologue, only over several pages. What he meant - obviously - was the World Trade Center, and I have no idea why he thought he had to dance around it in the preface; NYC + something no longer there which was hard to miss in the 80's = the Twin Towers.  I knew that the minute he started the tap dance; why he couldn't specifically say "I decided to keep the World Trade Center in my book for the following reasons" I can't fathom. And ... I wish he hadn't kept it in.  I get that it's the future of 1983, and not the future of 2011, but ... this is the tenth anniversary year.  I didn't see it coming when I opened the book, and though the prologue warned me it still hurt.  I see that it would have been a nightmare to revamp the climactic battle scenes sans Twin Towers - but couldn't he at least have changed the lame Middle-earth reference from when Pete first sees the towers?  "Tolkien would have loved it"?  Why?  JRRT was NOT a huge fan of skyscrapers (not that there were so many when and where he lived, but I think it's a safe statement given what I know about his personality), and his Two Towers were worlds apart, not side by side.  Speaking of Tolkien ... There were a couple of shout-outs to JRRT, and they both made my eyebrows crinkle (not to mention what was spewed out in the afterword, and the spelling thereof).  I wonder if Boyett ever read him more than once, or if Pete is supposed to have.  He (pick one) doesn't seem to have a clue about what was in the books. Another thing that bothered me about the book ... Ariel and Pete are captured by the Big Bad.  Pete escapes, though Ariel cannot (and even if she got away, they were on the 86th floor, and her leg was all-but-broken - that's a lot of stairs.  So, Pete gets away, and next thing he knows has fallen in with a group who plan to try to battle the Big Bad, and he can help them and they him and so they take him back to their base.  In Washington DC.  He … leaves not only the area where Ariel is held, but the city.  State.  Region.  I hated that Boyett sent his hero some 225 miles south of where his best friend was suffering in captivity.  I looked it up; the travel time by car is about 4 hours, give or take about an hour for traffic.  On horseback it would be about 40 - 50 miles per day, and so at least five days.  Five there, time for planning, five back again - and all the while Ariel wondering if he would ever come back for her ...Poor thing.  She got shafted right, left, and center from the second they reached New York.  I absolutely hated the ending.  The little bastard just couldn't keep his pants on for one more night - sacrificed his bond with his best friend, his familiar, who loved him for some unknown reason and whom he supposedly loved more than anything, so that he could shag the first girl he was exposed to for more than ten minutes.  I never liked the Shaughnessy bimbo anyway (which is interesting considering the narrative is from Pete's point of view), but this ... She supposedly loved Ariel too, just for being what she was - and she took the first real opportunity that offered to hurt her more deeply than the big bad wizard could have dreamed of.  Which is bad enough.  Pete ... what Pete did was so very much more hurtful.  If he had done it in a different manner it might have been ... no, not all right, but better.  This was awful. (hide spoiler)]No, I won't be reading this book again.  I'm still not flinging it, but … Anyone want it?

  • Jennifer Connolly
    2019-02-07 10:44

    If you like SM Stirling's Change novels, you'll probably like Ariel as it seems Stirling cribbed heavily from this book in order to come up with his own "Change".There are just as many inconsistencies in Boyett's book about how the Change works, but it is mostly easy to ignore. What's nice is it isn't loaded with all of the remarkably favorable coincidences that appear in Stirling's Dies the Fire (and presumably his other Change books in that same series, that I refuse to read).Boyett's book is sorta YAish and he's a little in love with adverbs and adjectives, but the book is enjoyable enough -- though you see the ending coming a mile away. And I can really do without the urban fantasy trope of SCA folks and Wiccans having the perfect skill set for the post-apocalyptic fantasy world. What fucking nonsense! I prefer my post-apocalyptic worlds with guns and a clear event that caused the apocalypse in the first place -- NUKES, ZOMBIES, DISEASE, whatever, but these kind of fantasy books are a fun change of pace and I'll probably get around to reading the sequel eventually.

  • Arial Burnz
    2019-01-27 08:25

    I absolutely adored this novel when I read it back in high school and I'm reading it to my husband now and I still love it. I liked the totally unique take on the post-apocalyptic world Boyett created where magical beings emerged from the shadows and technology ceased to function. The rules had changed...and unicorns could not only talk, Ariel actually cusses! LOL! It's a wonderful story of fantasy, friendship, survival and battling the odds. In fact, I loved this book so much, it's where I got my pen name. (Arial is numerically aligned with my birth date, ergo the different spelling.)

  • nks
    2019-01-26 13:18

    I fucking hate unicorns, turns out, so this book was a bit of a challenge. Though if you ignore the unicorn, it is a smooth/fun enough read, the world-building is missing a few important details. Ah well. This book is important to post-apocalyptic lit for two other reasons: it was an inspiration for SM Stirling's Change/Emberverse series, and it is one of the very few magical apocalypses out there.

  • StarMan
    2019-01-22 09:27

    Ye Original 1983 Cover, versus darker 2009 version.My, how our future visionings have changed.First Line: I was bathing in a lake when I saw the unicorn.ARIEL was first published in 1983, by a young Steven Boyett. It was his first published book, which sometimes shows -- but not as often as you might think. The 2009 version is slightly revised with some "restored" material, and a new afterword by Boyett. ARIEL might casually be described as a lite version of Stephen King's The Stand: a journey/quest across a strange USA, where Good and Evil will ultimately meet, face-to-face. [King's book was first published in 1978, 5 years before ARIEL]PLOT: In a mostly-unexplained post-Change world, human Pete meets unicorn Ariel. Due to inside and outside forces, eventually a somewhat nebulous quest/journey takes shape. Along the way we meet other characters. More stuff happens (good, bad, and ugly). Comic relief comes in the form of a subplot. A mystery girl appears. There's an action-packed (view spoiler)[ridiculous-level (hide spoiler)] climax.The ending is fairly abrupt, not unpredictable, yet unforgettable. It also may twist your nethers a bit. Fortunately, it's not a cliffhanger (we don't like those, do we?)Q: In ARIEL, will things end well for Pete? Will he learn and grow as a person, and embrace his hero side?A: I certainly hope not. Let's have some dastardly fun with Pete.If you like fantasy/post-apocalyptic stuff, this book is definitely worth a look. ARIEL sort of straddles the YA/adult line; there's violence and some gore, and some sexual content, but the protagonist and several other characters aren't fully-functioning mature adults. There will be crying. And (view spoiler)[boners (hide spoiler)]. And swordplay, oh yes.Overall, ARIEL (the book) is ~3.2 stars or thereabouts for me. I recommend it, and in truth I don't even like mythical, magical creatures -- yet Ariel (the unicorn) was pretty cool. How's that for an endorsement?ARIEL (the book) is mostly a fun ride, in spite of some 2-star issues here and there. There are some quasi-emotional moments, and some really fun parts (including one or two laugh-out-louds). I can understand the 4 star reviews, and some of the 2s as well. This book also gets a lot of 5 stars, esp. from folks who first read it back in the 80s. The villains are underdeveloped, the magic/physics/Change contradictory and not explained, and the action sometimes (view spoiler)[ridiculous-level (hide spoiler)], but the story kept my attention 90% of the time. The writing style was fine, although it sometimes violates modern so-called rules of tighter writing (and is probably the better for the violations). If you want more detailed Pros versus Cons, read some other reviews by Not-Me.I will say this: I liked ARIEL, even though I mostly DISliked Pete, the human protagonist. He was often (view spoiler)[an immature dumbass (20 going on 13), an asshole, or both. (hide spoiler)]Not only did I mostly NOT LIKE the "hero," I LIKED a secondary character that many readers despise. So what do I know? Q: So what the hell kind of "fantasy" is this? A: Well, ARIEL the book is...Sillier than: Lord of the RingsStraighter than: Harry Potter Less punny than: Piers Anthony anything (thank goodness)So I'm calling ARIEL a moderate fantasy, with some unique aspects. And only a few irritating ones. Unfortunately one of these is a main character, but this book still deserves 3 or more stars.Or maybe ARIEL is a really odd romance-of-sorts. I can see that. Or is a coming-of-age tale? Hmm, maybe it's a moral tale, disguised as an alternate future. No, perhaps it's just a slightly creepy tale of a (view spoiler)[horny 20-ish year-old who acts 13. (hide spoiler)]Ah. This book can be read from quite a few angles (hint: read the afterword). I think it would make a fine title for your next book discussion gathering (esp. considering it's a first published novel). Arguments will ensue. Joy! CAUTION: This book contains an excessive number of (view spoiler)[boners (hide spoiler)] and swordfights. Oh, you like both of those things? Geez.ARIEL goes well with: MREs, canned goods, stale cigarettes, and hard candy.Fun ARIEL website: Be sure to read the author's afterword, if your book version (2009 or later?) has one. It might make you think a little differently about what (or whom) you liked or disliked in the story. The afterword is also fun for aspiring writers. FYI: There's a sequel to ARIEL, written many years later. I'll be reading it later: Elegy Beach .~~~Also consider:The Reapers are the Angels(post-apocalyptic/horror YA/adult)Elantris(fantasy adult/YA)["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>

  • Aryn
    2019-01-28 12:40

    I'd recommend this book for mature-ish 15/16 year old boys. It's gory and sex-filled. However, it reads better if you think of Pete as a 16 year old boy rather than a 20 year old. It doesn't quite qualify as Young Adult, but it comes close. Pete is a good Young Adult hero, what doesn't make it Young Adult is the length, sex and gore. The writing style even puts it at borderline Young Adult.I'm pretty sure I just read a 400 page metaphor for a boy going through puberty; either that or it's a 400 page metaphor for a boy losing his virginity. Five or six years is a really long time to go through the worst of puberty. The lights, cars, and guns stopping working is even called The Change! The fact that guns stopped working was pretty damned arbitrary, by the way.When The Change happened, Pete was 14 or 15, just a normal nerdy teenage boy. He went to his debate event and even when the lights went out, at 4:30, they opened a window shade and kept going. He walked his girlfriend home in the dark, and when her folks weren't home, they walked to his place with the plan to go back the next day. They'd spend opposite nights in each others' houses until one set of parents made it home. Surprisingly enough, that plan didn't work, and that night Pete headed out on his own.Two years after The Change, Pete was bathing in a clean stream musing on how quickly the waters cleaned up after technology stopped working. When he looked up, there was a unicorn standing amongst his clothing. When he got out of the stream, Pete could tell that the creature had a broken leg, and it spoke! After the Change, mythological creatures started cropping up everywhere. Unicorns, however, only show themselves and allow them to befriend the purest, the virgins. Pete names it Ariel.The sex thing in this novel is so weird. Pete is so afraid of his own sexuality. He is so afraid of his sex dreams and when he masturbates in his sleep he really bugs out. I know he's afraid of losing Ariel, but dear Gods, he's supposed to be 20 or so. I know the world is different, but it's not so different that men and boys stop physically maturing. Even though it may have been weird having no one to talk him through puberty, he clearly knows what sex is from the way he describes his dreams. But he's so goddamned afraid of it and every time someone comes onto him or admits to have had sex, he gets nasty.Five or six years after The Change is when the bulk of the novel takes place. (In the novel it says six years, but on the blurb, it says five. Consistency fail.) Ariel and Pete have been wandering from town to town, when they meet men on the road who will do anything to posses Ariel, especially her horn. These men are led by an evil necromancer, who lives in New York City. They go on a quest, to defeat him, walk to New York where Ariel is taken. Making a few friends along the way, Pete is able to free Ariel, but only after it is too late for his innocence.Oh, he wants to kill us with his powerful magics? We should walk right into his lair! HERP DERP!Also, what is it with these characters crying all the fucking time? After The Perks of Being a Wallflower, I thought I was done with the sobbing main male characters for a while. I picked up a post apocalyptic book, for Godssake. But no, Pete cries at everything. Come on! Every time he's over tired, scared, confused, angry, etc. etc. etc. He's been living in this world for 5 or six years, by himself. Why hasn't he grown up a little more? At the end of the book Pete finally grows up. There's an event that forces Ariel to turn away from him. He couldn't stay a child forever. Thank Gods.Two and a half stars because, regardless of how weird and unsettling and arbitrary the sex, gore, and world was, it was actually a fun read.

  • Alan
    2019-02-02 11:34

    Just another story of a kid and his foul-mouthed unicorn, at least these days... but when it originally came out back in 1983, Ariel was a small treasure, a groundbreaking step in the reimagining of fantasy tropes that has since become such a major industry, and I loved it. The 2009 edition has only been slightly retconned (retroactively updated for continuity); Boyett explains why that is, in a brief Author's Note and an extensive Afterword (which is, to my mind, a major selling point of this edition).I approve of Boyett's restraint, even if he does spend some time second-guessing it later. A novel is an artifact in time that is best seen in the context of its time, not unthinkingly updated to conform to modern sensitivities which are themselves merely a snapshot of evanescent norms. (This is the kind of thing Connie Willis parodied in Remake (see also), where minimum-wage grunts digitally airbrush the cigarettes out of old movies, and it's sharply distinct from what Boyett himself is doing here when he takes ancient myths and puts his own stamp on them.) And it's no excuse to wait until after the author's dead to begin making changes, by the way; there is at least one "editor" whose new editions of deceased sf authors' works are automatically on my do-not-read list, precisely because of his propensity for such meddling.But that's beside the point, really. Ariel is the work at hand, and it stands on its own as a thing of (rather profane) beauty, a post-apocalyptic fiction in which the apocalypse is not nuclear, not biological or nanotech, but magical... "the Change" being that singular point when Magic returned to the world, shouldering aside (most) technology without apparent effort. Guns don't work; cars don't work; electricity doesn't work... and magical creatures have returned to the world.Pete Garey survives the Change and its anarchic aftermath well enough, but it's not until he meets Ariel that he really acquires a purpose. That purpose is quixotic, perhaps--it's no accident that the book he's reading to Ariel while on the road is Cervantes' Don Quixote--but it's of a piece with the rest of the post-Change world. For, just as James Tiptree Jr., said, "Passing in any crowd are secret people whose hidden response to beauty is the desire to tear it into bleeding meat." And there are people in Pete and Ariel's world who see unicorns as just a horse with a valuable horn.Boyett's not the most prolific of novelists, and Ariel is not really that long a book; I recommend savoring it well, before going on to the more recent followup (I hesitate to call it a sequel), Elegy Beach. But if you've ever wanted to know why that glowing creature was standing on a tumbledown freeway overpass in your dream, here's the place to start looking.

  • Wayne
    2019-01-17 10:19

    What I love most about this book is the interactionSteven Boyette creates between the main characters Ariel and Pete Garey. These two banter about as life long companion while the world around them are in awe he travels with a unicorn. It still pains me in the end when Garey loses Ariel, though I no longer curse the woman who took away this privilege.I also like books in which the mythical/mystical somehow affect the real world, I guess this stems from my D&D days as a kid. There are two memorable parts that come to mind as I remember the first time I read the book. First, at the end of the first chapter Pete finds Ariel by a stream near his home in Florida. She is standing by a brook with a broken leg, looking at Pete with big sad eyes, showing her leg, she tells him its "bwoke". Pete splints her leg and remembers wondering if she'll learn anything other the baby talk. The next chapter starts with a quote from Shakespeare. "Sharper than a serpent tooth it is to have a thankless child." The opening word of the chapter is Ariel telling Pete to get his ass in gear. - Awsome- The second memorable scene is while they were in Atlanta. Pete brings a guest to their living area. The guest is amazed not only of Ariel a unicorn, but she can also talk. Ariel and Pete are bantering, Ariel calls him a bald ape and he calls her a horny horse, while the guest is still staring mouth open and eyes agog. Steve Boyette doesn't pull punches when he describe the violence so if envisioning blood and guts may make you queasy I would, with heavy heart, suggest you pass up this book. Though he is honest in his descriptions he isn't gratuitous, so all there isn't alot of blood spurting.Lastly this is the other book I plan on keeping in my library forever, I just wish I could find it in hardback.

  • Mike (the Paladin)
    2019-01-22 09:27

    Interesting little book. It's an odd sort of dated post apocalypse (if you can call it an apocalypse) book. The "Change" took place a few years ago and the story depends on a world where libraries still have card catalogs...smoking is more common..the Trade Towers still stand and a few other things.I found the story, "okay". It was a little disappointing with lightly drawn characters who often behave in an illogical manner (view spoiler)[ To protect Ariel our "hero" leads her right into the hands of the necromancer. It's sort of like if someone from Perl Harbor had wanted to defend his family from the Japanese forces after the attack he leads them into a parachute drop into Japan to "get Hideki Tojo" (hide spoiler)]. I found the protagonist weakly written and vacillating from a sort of "duh what's up" character to a Jerk. The book is easily readable and if it weren't for the language, violence, and graphic sex it could be a YA book. At least that's the level of most of the writing, very simple and straight forward. I don't dislike the book, I simply hoped/looked for more from it. You'll get plenty of action and some magic..."wonder". The book also seems to try for a, humans are bad and impure and will dirty "stuff" motif. It's not something I found that well done, but it's there and of course you may disagree with me completely on all this.As I said, pretty good, easy to read, lots of action, just a little weak. Enjoy.

  • Cynthisa
    2019-02-16 08:25

    Read the "restored" reissue (2009) edition. I found the protagonist, Pete, a compelling character -- a 20-year-old loner wandering post-apocolyptic America-- an honest and original young man finding his way in the big, strange world of adults and serious consequences. (He cries alot, oddly. But that touch of anti-machismo perfectly suits him. So rarely do male authors let their male lead characters just have a good, honest cry!) This should be unsurprising, considering the author wrote this at 19.The author's youth and first-novel inexperience are readily apparent in the impatient writing. He rarely takes the time to fully sketch out the necessary details that give a narrative depth and richness. (The main reason for the 2 stars, instead of the 4, that I would have loved to award this book.)With the title character, Ariel, however, the limitations of the author's age become apparent. The unicorn represents (appropriately enough) a true and pure love. And, not surprisingly, this ends up being the weakest character in the book-- not anywhere near as "real" as the others. But, hey, coming from a 19-year-old, damn well done! (I was haunted for days by a little voice saying, "Bwoke.")All in all a worthy read, flaws and all. A fresh, unadorned look at how a man's first true love molds his heart for life. Oh, and killer swordplay.

  • Darcie
    2019-02-14 11:21

    Ariel... Oh how I love this book! I picked this book up off of a display at the book store because I liked the cover. I had never heard of it or Steven Boyett. I read what it was about and was interested right away. Because I usually do not purchase books, I spend about a week trying to find it at our local libraries. I couldn’t wait to read it. Unicorns are real?!?! WHAT! and magic really exists! I am hooked already. I love the badassness the main character brings. Wielding a Samurai sword, fighting mythological creatures (that are real!) and trying to save a friend from a brutal death. Oh, it was so good. Then the world that they live in... it was magical. Not just because magic exists. Can you imagine not having any technology? No phones, computer, GPS, cars, trains, TV's. The world would be a much quieter and simpler place. You get sucked in from the first page. If you don’t read it, you are missing out on something great!

  • S. K. Pentecost
    2019-02-13 16:43

    There is a re-release of the original Inglorious Basterds with an extra feature tacked on where Quentin Terantino (suspiciously jittery and coked up looking,) unwittingly insults the polite old Italian man who directed the original by listing all of the things that sucked so gloriously about the Italian movie.My review of this book would go something like that.I love this brilliantly imagined, 70's kung fu disaster of a book precisely because of its unselfconscious suckery.Don't dig too deep. Don't try to justify. Just love it for what it is; and maybe skip the afterword, (which is full of deep digging and justifications.)

  • Tanya Simon
    2019-02-15 15:31

    this book, wow! First, I was horrified by what was happening to us all, then Bam! I am in a love story, so hopeless it breaks your heart, then I was tossed into a quest novel, with a little action, suspense and angst! The book was a roller coaster ride, that haunted me. I re-read books until I need new copies, but I have to space re-readings of Ariel out, because it is so beautifully heartbreaking.

  • Merzbau
    2019-02-14 15:47

    cool concept and there's some great stuff here but i just couldn't get beyond the fact that this was basically a coming of age tale about a dude who wants to have sex with a unicorn

  • Matt
    2019-01-24 12:43

    Unconventional post-apocalyptic story where one of the protagonists is a unicorn.Very bloody/gorey, quite vulgar and pretty imaginative.Pete Garey, you're a stupid fucking cunt.

  • Karissa
    2019-02-01 12:47

    This book looked really interesting and I have read good things about it so I decided to give it a go. It was an enjoyable read, although there are a few things in the book which irked me a bit. This book was originally released in the early 80's and this is a re-release of it.This story takes place in the post-Change world of the United States. The Change happened one day and suddenly all electricity/technology stopped working and magical creatures began roaming the earth. Humanity was left to survive in any manner possible in this post-apocalyptic type of world. Pete is living day to day when he stumbles upon a unicorn with a broken leg. He takes the time to fix her leg and dubs her Ariel. A year later Pete and Ariel are still traveling together; only someone is after Ariel's power and Pete and Ariel only have one destroy the necromancer that wants to hold Ariel captive.This book moves at a fairly brisk pace and kept my interest. The relationship Pete and Ariel have, as well as the relationship of other characters with their familiars, is very interesting and much of the story pays attention to this. I also found it interesting that there is so much focus on Pete struggling with keeping his virginity, if he loses it then him and Ariel can no longer be companions. Enter a young woman (Saughnessy) who tempts Pete more than she should.While Pete and Ariel are very well-developed characters, the characters surrounding them could use some work. The evil necromancer is fairly faceless and we never get to learn his thoughts on anything. Even the young woman that travels with Pete is rather 2-dimensional; you never get to understand her or hear why she wants to travel with Pete or Ariel.There is a lot of unfettered violence and a lot of action in this book. Those with a weak stomach might want to skip it; to be fair I don't think that the violence was made unreasonably gory...Boyett tries to stay true to what the resulting gore would actually be given that people's limbs are removed with swords quite often. I enjoyed the inclusion of the Japanese mentality to fighting with all the samurai sword action, those scenes were a lot of fun.The ending of the book left me disappointed. I thought the choices that Pete made were kind of sudden and un-called for; but I will not mention any more to prevent spoilers.There were a few things that bothered me about this book. The first was Pete's use of a blowgun to drop enemies immediately; it just isn't very realistic. In the Afterward Boyett says that he now realizes this. The second thing that bothered me was the lack of people. Pete travels through vast quantities of land without barely seeing anyone, which could happen. But then he goes through big cities without seeing many people. I realize if electricity/technology stopped some people would be killed in car accidents, plane crashes, etc...but a vast majority of humanity would probably be okay. I am wondering where they all went. Also since it has been six years since the Change, wouldn't you think humanity would be re-forming organizations and communities? There is a small community (300 people) talked about in New York, but other than that there doesn't seem to be much organization at all. I just found these aspects to very unbelievable and this lowered my opinion of the story, because it was so fundamental to the story.Overall I enjoyed the story. It is a bit long and some parts are hard to find believable, but it is well written with some awesome action scenes. Boyett's idea of a post-apocalyptic world forced by a fundamental change in the laws of physics is interesting, but flawed at points. Will I be reading "Elergy Beach", the sequel to Ariel? Probably not. I just didn't love the world enough to continue reading about it.

  • Alisa Kester
    2019-01-20 16:47

    Okay...this book was...different. First off, I absolutely, totally adore end-of-civilization-type novels where most of humanity is killed off in some sort of plague/disaster, and the survivors wander the desolated streets, trying to scavenge supplies. I don't know why this scenario hits such a chord with me, but there really is no other type of fiction I find so...appealing. Ariel has lots of this. Unfortunately, civilization is destroyed in a completely illogical way that makes no sense. Everything is life as usual, until suddenly (literally in the blink of an eye) everything is Changed. Most of modern life suddenly doesn't work. No phones, cars, electricity, ipods, guns...all of that just ceased to work. Instead, magic and mythological beasts suddenly DO exist, so that we have dragons and unicorns wandering the streets, and necromancers summoning demons. So far, so good. I like this premise; there's a lot of really cool stuff that could happen.But there's no logic to this author's world. Wristwatches work, but bicycles don't. Nearly everyone in the world dies, but why? Why would this Change cause such a mass die-off? There's still plenty of food and supplies in all the stores, and the danger of mythological beasts eating you seems pretty nil - in the main character wanderings across the former States, he meets only two creatures outside of human control...and one of these becomes his own companion.Which brings us to the unicorn. Maybe I'm just too cynical for stories about unicorns...but I didn't like the unicorn character! Without giving away too much, I saw the ending coming a million miles away. A boy and his honestly, how is that going to end well?Also, I'm amused by the cover. The original cover was a golden-bright typical fantasy cover with a boy and his unicorn displayed in the center. Very garish and "happy", with no hint of the desolation of a destroyed and decaying New York City. Weird. This cover, on the other hand, is all about the dark gritty end-of-the-world-ness - but despite the unicorn being a MAJOR character, she isn't anywhere on it. Heh.

  • Sarah
    2019-01-17 16:18

    “As the author says in his afterward, this is the kind of book that first-time readers of a certain age (teenager/early 20s) will love. I can totally see what he means by that. It's a coming-of-age novel, in a world where dragons and manticores live, where our modern technology has died, and where Pete and his unicorn Ariel fight to survive. There's a lot here that people could really get into. The fantasy aspect is solid, with sword-and-sorcery popping up everywhere. And there's also a good deal of postapocalyptic/dystopian adventure for those who like that.After a necromancer (who's really more of just an evil warlock/gangster) sets his sights on Ariel, Pete and company decide to end it once and for all, meeting up with other survivors of the Change. There is adventure, there is survival, and there is a bit of romance...if you can call it that.(Without trying to be too spoilery, I have to write this paragraph:)A lot of people complained about the ending, and I can see why they did, but it seems like that ending is what fits this story. There are warnings throughout the novel about what has to happen - Pete is a human male, and certain bonds have to be more important than others in order to become an actual adult. Not everything gets to be wrapped up in a pretty package, and some things have to be put aside, no matter how painful it might seem. Personally, I feel that the ending made the entire story STRONGER and more meaningful. "Happily Ever After" doesn't mean much when it's clear that such a thing no longer exists.I can see how the author might feel that this work is rougher than others (it was his first novel), and how there are some rough patches, but all in all, the enthusiasm of the storyteller was what drove the story to completion. It's not perfect, no, and there are odd moments where the pacing is bizarre and there are flashbacks for no apparent reason, but all in all it was a solidly delivered story that I enjoyed reading, "bad" ending or no.I truly enjoyed Ariel, and I think any teenager interested in fantasy should give this one a shot.

  • Elizabeth
    2019-02-13 15:32

    I thought this book was horrible. The ending is pretty good but everything up to the last 20 pages is awful. The main character makes bad choice after bad choice.I'm not into the apocolyptic everyone that survives is evil thing anyway. Every civilization started some where but they all became civilizations not anarchies.Just exactly why had the residents of his little neighborhood become marauding bandits within 4 hours of a power outage anyway? Mabye in the author's mind he explained this but in the reader's mind, there was a lot left out. America has 4 hour power outages all the time without entire populations disappearing or turning into murderers.Why would you wander through a town carefully explaining to everyone that you meet that the beast at your side is a UNICORN when you know there is a price on her head? Sounds like a good time to decide to keep the beast out of the town...And finally, the population would have had to be cut hugely drastically for the stores to have anything left in them after 6 years. The products in the stores today is enough to last until next week with the current population! The kid runs around telling everyone that nothing has changed since the change except that there is no power but he's still using all the goods that were produced before the change. What would he even know about it? He doesn't know how to knit a sock or grow a vegetable. And if there is no electricity, why is there water in the faucets? Municipal water comes from pumping stations that use electricty. This is not Rome. We are not on a gravity flow aquaduct system.

  • Michael Haydel
    2019-01-28 12:35

    I picked up Ariel for about $1 at a local Half Price Books, along with Desolation Road, after hearing about both of them via Cory Doctorow of BoingBoing. I was really excited to give fiction another go, and I knew that of the two, Ariel sounded more appealing to me. So, I tackled Desolation Road first, and failed. I got about 160 pages in, and just couldn't do it. So, I took a bit of a break from fiction, read two non-fiction books, and then decided to try my hand at Ariel.It went a lot better.Ariel follows the adventures of a young loner named Pete Garey, and his unicorn-cum-Familiar Ariel. The setup of the novel is that one day, nearly everything stops working - electricity, machinery (anything more than a simple machine), technology, cars; all of it, just, stops. And, magic starts working, and magical creatures (your gryphons, manticores, unicorns, et al) start roaming the earth.Simply put, it's an adventure novel with both sci-fi and fantasy elements. And as Roger Zelazny says on the back cover, it's "a damned good yarn." I 100% agree.Throughout the book, I really came to love and appreciate the relationship that Pete shares with Ariel - it's unlike nearly anything I've ever thought about or read, and it makes for some truly effective emotional drama, in addition to the already tense journey they make together across a rather post-apocalyptic-like America.All that being said, I'd recommend this book to anyone who's looking for a fun, interesting, and thrilling read.

  • Rosalynde
    2019-01-30 09:34

    Apocalyptic fiction meets fantasy. The protagonist journeys up the Eastern Coast of a changed United States. No guns, no electricity since "The Change" happened five years prior. Oh, and also magical creatures are the norm in this new world . . . but not _that_ much of the norm, because our hero has a unicorn friend named Ariel and the baddies want to get their hands on her power (the horn, guys, its magical). Obviously I HAD to read this book. But it is rather juvenile, I am afraid. And sexist as well. Or . . . maybe that's not the right descriptive . . . our hero is a virgin and Ariel, his familiar, can only stay with him (and be petted and stuff) if he remains 'pure.' Needless to say, an OLDER WOMAN (sexually experienced) (and only 24 to our hero's 20) enters the narrative. Sexual frustration wins out eventually, but first some epic battles have to happen. I guess the right word might be 'pent up.' This is probably a GREAT book for the average 14 year old boy. It is pretty cheesy, but adorable too, in its way. For example, several characters have been in the SCA pre-Change and are thus well-equipped to this new life of sword play and evil necromancers. The woman who deflowers our hero was into D&D, fantasy novels and even Star Wars (she saw it nine times). What a hussy.

  • Mr. DeLay
    2019-01-23 11:30

    Wow. I had never heard of this book until I stumbled onto it's sequel "Elegy Beach" in the library and suddenly I was in a world of unicorns and magic. The idea of "Ariel" is that for whatever reason (it's never really explained which I love) the world suddenly stopped being real. Technology, weapons, electricity and just about everything man created that moved, whistled and beeped no longer works. Guns don't work. You can load it and fire it. Nothing happens. The titular character of this book is Ariel, a unicorn. She takes our friend Peter on a journey of epic discovery that teaches him about life, truth and the reality of the world we live in without nary a thought to how it all really works.I found myself staying up late to finish this book as each arc turned and twisted through the pages. I enjoyed the ending if only because it was the only way it could have ended. You may have a bittersweet feeling but don't worry. Nobody dies. There's dragons, wizards and other assorted creatures of fantasy to inspire your imagination. Read it for the post apocalyptic story of good versus evil and what happens to Man in the end when the world's natural lines are blurred and erased.

  • Roger Eschbacher
    2019-01-22 12:23

    Very readable yet, ultimately, unsatisfying. Set in current times after "the change" (when virtually all but the most primitive technology stops working and magical creatures start showing up), Ariel features a dull and wimpy main character who teams up with a talking unicorn to battle an evil necromancer. Elegy Beach, the sequel is MUCH better and definitely recommended.Little is done to explain anything at all about The Change -- it just happened and we should get over it, apparently -- and the main character is constantly making stupid decisions -- okay if that's who he is, but in this case it seems like it's more because the author wants to move the story along than out of any desire to reveal a hero's inner weakness. A light and easy read, the book is also uneven; short on back story and "world building", long on shallowly drawn characters and pointless explanations (I don't need a lengthy primer on how to assemble and fly a hang glider, thank you), and full of uninteresting action sequences and plot twists.I'd heard good things about Ariel and really wanted to like this book, but it turned out to be one of those novels that had me frequently stopping to remark, "Well that's stupid."

  • Erin
    2019-01-30 15:45

    Part fantasy epic, part post-apocolyptic science fiction, part bildungsroman, part American road trip. A cross between The Last Unicorn, The Neverending Story, and The Stand. The protagonist's voice didn't ring true to me at first, but I was hooked by his relationship with the unicorn Ariel. Maybe I should have put bildungsroman first, actually; Pete goes from "annoying little shit" to "person I would probably tolerate", but despite my personal dislike for him, I enjoyed reading about his growth. Ariel was originally written in the 80s and reprinted this year due to the upcoming sequel. This edition contains a afterword that was written in 2000 and annotated in 2009. For the comp crowd reading this, the afterword provides a funny and insightful narrative on the revision process. It also cemented a lot of what I felt about the novel - it starts weak and ends strong, because it was written by a 19 year old man who taught himself to write as he went. Really a great example of the writing process. A final, perhaps spoilery note (depending on how sensitive you are): I love the presence of the World Trade Center in this book. It survives Boyett's apocalypse as well as the reprint (Boyett addresses why he left it in).